Monday, 15 December, 2008

Terror script

The other day we had a filmmaker over to talk about her experiences in Kashmir during the riots about the Amarnath shrine. She was scared, of course. And felt very odd at the way Kashmiris thought of themselves as different from other Indians. But she also talked about mass murder, mass rape and mass terror by the Indian army. The national shame made more credible by admissions to personal, normal (Just like you) fear and bewilderment (“They don't think like we do. Which becomes understandable when you consider the circumstance they have lived under for the last sixty years.”) And by putting faces and places to the suffering (“Her husband has been missing for the last 16 years. He was picked up at the bazaar.”)

And she's going to turn her observations into a feature film about these poor women.

There's something not quite right here. Can I stay with a Muslim family for a fortnight and understand enough about the 'Muslim problem' to write even an essay on it? If not, are two visits and an abiding interest enough for a script? What does one have to do to write a script? How long must a man walk in others' shoes to talk about them? How many different shoes must he wear? Can you write anything if you have to tell everything? Valid questions. And they do need answers.

1 comment:

finding thyself said...

It is like a panel formed to find solution for AIDS and not even one member of the panel represents those who are really affected. The solutions they draw up will never really work. Because they never have a real representation.